The casting choices for Joachim Trier’s Sentimental Value seem to lack diversity, with a predominantly white cast. While talented actors such as Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, and Elle Fanning are no doubt skilled in their craft, the absence of actors from different racial backgrounds is noticeable. In an industry that is striving for more representation and inclusivity, it is disappointing to see such homogeneous casting choices.
The description of Sentimental Value as a story about a dysfunctional family with a past that resurfaces in unexpected ways feels tired and unoriginal. The premise of a faded father figure seeking redemption through his estranged daughter is a storyline that has been explored countless times in cinema. It raises questions about the lack of innovation and fresh ideas in the screenplay, especially coming from acclaimed filmmakers like Trier and Vogt.
While it is encouraging to see Renate Reinsve in the lead role, the character description of Nora as an acclaimed stage actress who wants nothing to do with her father’s film feels limiting. It perpetuates the stereotype of a woman defined solely by her relationship with men, in this case, her father. Instead of portraying Nora as a strong, independent individual with agency of her own, the narrative seems to revolve around her father’s attempts at reconciliation.
The emphasis on the awards and nominations received by Trier’s previous film, The Worst Person in the World, in the promotion of Sentimental Value feels self-congratulatory. While it is important to acknowledge the success of past projects, the constant mention of accolades can come across as pretentious and detract from the actual content of the new film. It begs the question of whether the focus is on creating meaningful and impactful cinema or simply chasing awards and recognition.
The details provided about the production of Sentimental Value are vague and lacking in transparency. While it is mentioned that the film is a co-production involving multiple countries and production companies, the specific roles and contributions of each party are unclear. This lack of clarity raises concerns about the accountability and distribution of resources in the filmmaking process. Additionally, the financing sources mentioned seem extensive but without further elaboration, leaving room for speculation about the financial backing of the project.
Joachim Trier’s Sentimental Value raises several red flags in terms of casting choices, originality of the plot, portrayal of female characters, emphasis on awards, and transparency in production details. While the film undoubtedly has potential given the talented cast and crew involved, these critical points warrant closer examination and reflection on the part of the filmmakers and producers. It is important to strive for more diversity, creativity, empowerment, humility, and transparency in the making of cinematic works that resonate with audiences globally.