The Society of Composers & Lyricists (SCL) has unveiled its list of nominees for the much-anticipated 2025 SCL Awards, an event dedicated to honoring outstanding achievements in music specifically crafted for visual media. This year’s nominations highlight the remarkable talents of composers Clément Ducol and Camille for their collaboration on “Emilia Pérez,” as well as Atticus Ross for his work on “Challengers” and “Shōgun.” Each of these composers has earned three nominations, showcasing their significant impact on the cinematic landscape and marking them as frontrunners for recognition in various categories.
The awards ceremony is set to take place on February 12 in Los Angeles, with renowned musician Colin Hay, best known for his work with Men at Work, taking on the role of host. The ceremony is expected to feature not only the awards presentation but also performances and discussions that delve into the artistry behind film music.
This year, the SCL Awards will also acknowledge notable artistic collaborations, as evidenced by the presentation of the 2025 Spirit of Collaboration Award to composer Harry Gregson-Williams and the esteemed director Ridley Scott. Their partnership has produced a rich tapestry of acclaimed films, including “The Martian,” “Kingdom of Heaven,” and “House of Gucci.” Gregson-Williams shared insights into his creative process, emphasizing Scott’s unique approach to integrating music into film. He explained that the director stimulates his creativity not through conventional musical terminology, but rather through discussions about visual elements, such as light and darkness. This refreshing dynamic allows for an organic translation of thematic concepts into musical scores, showcasing the depth and complexity found in their collaboration.
In an exciting recognition of historical contributions to film music, composer Jeff Beal will be honored with the SCL Jury Award for his score accompanying the silent film classic “The Cabinet of Dr. Caligari.” This recognition not only commemorates a piece of cinematic history but draws attention to the enduring legacy of silent film scores, which continue to influence modern compositions. Beal’s work in reinvigorating this classic illustrates the timeless nature of film music, bridging the gap between eras and genres.
As the SCL Awards approach, anticipation builds for the upcoming ceremony, where winners will be revealed in various categories, including Outstanding Original Score for a Studio Film. With heavyweights like Hans Zimmer vying for acclaim alongside emerging talents, the event promises to reflect the evolving landscape of film music.
Reflecting on the previous year’s accomplishments, which saw triumphs for the soundtracks of “Oppenheimer” and “Barbie,” the 2025 SCL Awards are poised to deliver not just recognition, but also celebrate the continued innovation and creativity of composers who shape the auditory experience of film. The awards stand as a testament to the vital role music plays in storytelling and the many voices contributing to this dynamic medium.