In today’s film industry, audiences are constantly bombarded with sequels, prequels, and reboots. With at least 10 sequels awaiting our imminent attention, the challenge for filmgoers lies in mastering a new code with each installment. Each sequel is built around its own backstory and idiosyncratic characters, making it essential for viewers to understand the intricate details of the narrative. For example, Dune: Part Two becomes more accessible once you’ve learned why the Chakobsa-speaking characters are frustrated by their stalled kirzibs. This trend extends beyond the realm of science fiction, with even the fifth Ghostbusters making more sense if you understand why an old Ectomobile is crucial to harpooning geriatric ghosts. As audiences are faced with an ever-growing list of sequels, the task of keeping up with the evolving storylines becomes increasingly daunting.
The current slate of entertainment appears to be dominated by older, semi-forgotten brands rather than new, innovative ideas. Studios, facing a shortfall of new content due to the impact of the Covid virus and strikes, have chosen to bet on familiar franchises that have proven successful in the past. The reasoning behind this decision lies in the belief that if a movie worked well the first time, it is likely to perform even better in a sequel. The Godfather Part II and the enduring success of the James Bond franchise are examples of sequels that have surpassed the original film in terms of impact and popularity. However, this reliance on old brands raises questions about the creative stagnation in the industry.
The Dearth of Innovative Ideas
One of the major problems facing Hollywood today is the lack of new and innovative ideas. Emerging talent in the industry is increasingly focused on recycling old concepts rather than creating original intellectual property. The process of developing innovative ideas can prove to be challenging and time-consuming, leading many filmmakers to fall back on familiar storylines and characters to attract audiences. The great producer Saul Zaentz struggled for years to find funding for his dream project, Man’s Fate by Andre Malraux, highlighting the difficulties faced by creators in bringing fresh ideas to the screen. The trend towards recycling old ideas raises concerns about the future of creativity in Hollywood.
The proliferation of sequels in Hollywood is mirrored by the ongoing litigations and trials involving public figures such as Donald Trump. These legal battles are playing out like sequels, with each scheduled “performance” boasting a familiar plot turn. The anticipation surrounding these trials is akin to that of a movie sequel, with audiences eagerly awaiting the next dramatic twist in the narrative. The trial involving Stormy Daniels, scheduled to start on April 15, is predicted to be the most impactful of the various prosecutorial sequels, adding a layer of intrigue to the unfolding story. Daniels, in a television interview, emphasized the importance of structure and discipline in directing, underscoring the need for characters to stay true to themselves. Despite the drama surrounding these trials, there is a sense of fatigue associated with the idea of sequels, as Daniels herself expressed a reluctance towards welcoming a potential sequel.
The prevalence of sequels in Hollywood reflects a broader trend towards recycling old ideas and familiar storylines. While audiences may find comfort in revisiting familiar brands and characters, the industry’s reliance on sequels poses a threat to creativity and innovation. As filmmakers continue to grapple with the challenges of creating new content, the debate over the merits of sequels versus original ideas will remain a central issue in the world of entertainment.