The artistic director of Paris’ grandiose Olympics opening ceremony, Thomas Jolly, recently found himself under scrutiny and facing backlash for the show. Despite accusations of “wokeism” and mocking Christianity, Jolly defended his work in a press conference, stating that his intention was not to be subversive, mock, or shock. Instead, he aimed to capture the diversity of France and celebrate the country’s many rights, including the freedom to love and believe as one chooses.
The four-hour opening ceremony was inspired by a six-kilometer stretch of the River Seine, showcasing 12 tableaux that represented the French spirit. Jolly and his team incorporated a mix of French cultural and historical references, blending tradition with modernity and emphasizing diversity and inclusion. While this approach was well-received in France, it faced criticism from some quarters, particularly for certain scenes that sparked controversy.
One scene that garnered significant backlash featured a group of drag queens sitting along a fashion catwalk, reminiscent of Leonardo da Vinci’s Last Supper. This depiction offended some viewers, with Republican politician Mike Johnson labeling it as “shocking and insulting.” NFL player Harrison Butker, who is devoutly Christian, suggested that the tableau was mocking God, while far-right French politician Marion Maréchal criticized the representation of Christianity in the show.
In addition to the controversial tableau, criticisms were also directed towards singer-songwriter Aya Nakamura’s performance in front of the Académie Française, the institution responsible for preserving the French language. The presence of the military band of the Republican Guard further fueled criticism, with some questioning the appropriateness of the act given the setting.
While the Olympics opening ceremony in Paris aimed to celebrate the diversity and richness of French culture, it sparked controversy and debate among viewers. The clash between tradition and modernity, inclusion and representation, has highlighted the challenges of creating a show that appeals to a diverse audience while remaining respectful of different beliefs and values. As the debate continues, it remains to be seen how future ceremonies will navigate these sensitive issues and strike a balance between celebration and controversy.